Tube amp and effect-modeling power of Valvetronix amps in a portable effects unit.
With a new smaller footprint and enhanced direct recording features, the ToneLab LE is not just a floor processor for guitar effects. It's equally suited to desktop home recording. Now one unit can cover it all!
ToneLab LE: Loads of new features
The 24-bit Vox Tonelab LE includes several improvements on its popular predecessor, the Tonelab SE. The first is a 5-mode amp/line out voiced specially for various applications, from playing into different amp types to direct recording to live performance through a PA system. The Line 2 amp/line setting features a 3-band Master EQ section modeled after one of the most acclaimed live mixers ever manufactured. This allows you to EQ the sound of your Tonelab LE Valvetronix to suit any room or sound system. For greater flexibility in recording applications, a S/PDIF output is included. The acoustic simulator now offers the choice between 3 popular acoustic guitar types plus a resonator. Finally, the Tonelab LE wouldn't be complete without some additional guitar effects! A metal distortion sound will satisfy your need for extreme gain. A slap reverb rounds out the ambient effects and a multi-tap chorus gives you independent chorus taps for each of the left, center and right outputs, producing stunning depth and spaciousness.
VOX Valve Reactor delivers true tube sound
The power amp section on the ToneLab LE features patented VOX Valve Reactor circuitry. This unique technology enables these units to provide the sound, feel and dynamic range that, previously, were only possible with a multitude of all-tube amplifiers. The Valve Reactor circuit uses a 12AX7 dual triode vacuum tube, a virtual output transformer and a dummy speaker circuit that simulates the reactive load of a real speaker. It reconfigures itself so that its characteristics are the same as the amps it's modeling (class A, class AB, negative feedback circuit, etc.). This means that all of the nuances of the original amp model including sound, feel, distortion and presence are reproduced.
Sophisticated modeling technology
Starting with VOX's own AC30, the 16 amp sounds range from rare vintage amps to high-end modern amps. From clean sounds to extreme high-gain distortion, these models cover a wide range of tonal possibilities. Cabinet modeling reproduces the acoustic characteristics of ten different cabinet shapes and speaker types.
A range of high-quality effects
The guitar effects are categorized into modulation, delay, and reverb, with eleven types provided for each category. Effects range from stomp box to studio-quality effects and include a rare analog chorus, rotary speaker, and vintage delay/echo. Some effects let you change the output settings (monaural, stereo, or stereo output of wet/dry signals) or the connection order of the modulation, delay, and reverb effects for even more flexibility. There are also 16 pedal effects, including wah, overdrive, distortion, fuzz and acoustic simulator. Easy knob-based editing means that you can easily tweak this rich array of effect types and parameters to your personal taste right on the unit without having to scroll through time consuming parameter menus.
120 Program memories
The amp, cabinet, and effect settings can be saved into 120 programs locations. There are also 40 preset programs that contain classic settings for each amp model.
More expressive potential
The Vox ToneLab LE Valvetronix provides an expression pedal you can use to control wah, volume and many other effect parameters. Assign the pedal to control the delay time, modulation speed or depth, or many other parameters, giving you an enormous range of creative possibilities. The QuickAssign function makes it easy to assign a parameter at a single touch.
Usable, Flexible
You can assign the control switches to control parameters such as tap tempo, effect on/off, or rotary speed. The LCD screen that displays parameter names and detailed information is backlit for increased visibility. A valve icon shows the number and model of the power tubes used in the original amp being modeled. Convenient end/return jacks are provided, which allow you to connect external insert effects such as distortion or over-drive. You can also switch the insert effect on/off at a touch of a foot switch.
Editing software lets you save and edit sounds
Dedicated editing software for ToneLab LE can be downloaded from www.voxamps.co.uk. This software displays all parameters, making editing even easier, and also lets you stockpile an unlimited number of your own sound programs and share them with your friends.
Built-in tuner
The Auto Chromatic Tuner has its own independent LED display for excellent visibility. The tuner also provides a mute function for silent tuning on stage.
All the right ins and outs
Perfect for home recording and live performance, ToneLab LE includes everything you need for killer guitar sound. Featuring an S/P DIF optical digital output and MIDI IN and OUT connectors, ToneLab LE effects processor offers you plenty of potential and numerous options to expand your system. You can use the effect insert jacks to connect an external effect processor or stompbox, and the headphone out is just what you need for late-night practicing.
Vox ToneLab LE Guitar Multi Effects Pedal Features:
Amp types: 16
Cabinet types: 11
Pedal type effects: 16
Modulation type effects: 11
Delay types: 11
Reverb types: 11
Noise reduction: 1
Number of programs: 120 (30 banks x 4 programs)
How do you get real tube sound in a pedal? Use a real tube! Order today.
Vox ToneLab LE Guitar Multi Effects Pedal Specifications:
Input x 1
Insert return x 1
Output x 2
Insert send x 1
Headphones x 1
Level knob (adjusts output and headphones)
Digital audio output
S/PDIF(optical) x 1
Valve: 12AX7 (ECC83) x 1
Signal Processing A/D, D/A: 24-Bit
Tuner Range: A0-C7 (27.5Hz-2093Hz)
Tuner Calibration: A=438Hz-445Hz
MIDI: IN, OUT
POWER: AC9V
Dimensions (W x D x H) 500 x 249 x 80 (mm) / :19.69 x 9.80 x 3.15 (inches)
Vox Tonelab TLLE. This is a good unit, soundwise, when compared to some units I've tried that are currently on the market. To my ears, it sounds more realistic (amp-like) than the Boss or Line 6 units. It doesn't beat a real amp but it is a good alternative. With some patches, you can really feel the 'dynamics' and touch sensitivity. It has a smaller footprint than the previous version which will be a plus for smaller stage gigs. Also the layout is really simple so the learning curve is quick...you will be creating patches in no time (compared to units like the Boss GT-10 which have deep edits and extensive options / layouts, you might forget what you’re tweaking!!) As far as the setup scenario, this unit excels at being used as the main source preamp and sounds great when connected directly to the PA, run into a power amp and speaker setup or when run into the effects loop return or 'power amp in' of a combo amp. If your gig has an old house Fender Twin or you own a non-fx loop amp, this unit may be harder to get sounding good. In this scenario, I’ve had better luck with separate pedal effects or with the Boss GT units.
In my opinion, there are some 'cons' with this unit. First, what happened to the second expression pedal that was so beloved on the TLSE? If you want to have real time control over the wah and delay, you can no longer achieve it on the TLLE. At least it would have been a good idea to have had a expression pedal input so that you could use a separate expression pedal to control parameters (like how Boss does with their units) or better yet how about a up-down and swivel expression pedal like the Fender volume-tone pedal design where up and down can be expression pedal one and side to side can pedal two.
Second, the expression pedal feels a bit loose compared to the older TLSE version (or Boss / Line 6 units that I've tried) and it’s questionable if it could survive years of full duty use. Boss units may not sound as 'real' but they are sure tough.
Third, there is no A/B channel…why? This adds so much more flexibility. You can do a whole gig with the TLSE with just one patch switching between channel A and B.
Fourth, it would have been nice to separate the effects and the distortion groups in the 'pedal' group and give them their own groups. You might want to use the 'orange' phase and distortion...together like the old Van Halen sound??
Last, I think the TLSE actually sounds better. I own both and have compared them side by side when running thru the PA or amp, the TLSE sounds more real and punchy whereas the TLLE sounds like it got re-equalized with more highs. This gives it the ‘zzzz’ or ‘fizz’ as some reviewer calls it and this could make it sound less warm and brittle in some cases.
I know that some of the ‘design’ decisions are marketing driven to find a price point and functionality that would be acceptable to most consumers. The old TLSE was a lot more expensive than the TLLE and maybe the average consumer would not feel that the added functionality justifies the increased cost.
Overall, I think the TLLE sounds pretty good compared to what is currently out on the market.
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Features
Value
Power Supply Issue
Posted by SG4God from Bryan, TX on Jul 26, 2009
Experience w/product: I have heard about it
Reviewer's Background: Praise Band Man
Reviewer's Play Style: Praise & Worship, classic rock, progressive
1st the bad: Like others I was a bit overwhelmed by all of the menus, choices, & features. Mine was brand new in the box & didn't come with a manual...had to download from the Vox website. The menus are also somewhat confusing for an electric-guitar newbie. I am more comfortable with it now, but still haven't figured out tap delay, which I'm pretty sure it will do. I've only had it for about 7 months & really babied it...but the power supply died. After calling Vox I have to order another one.
Now the good: my bro has $1500 in pedals & this thing does all of those plus amp modeling for 1/4 of that. Some of the amp models sound really good (others not so much). I lamented above about the complex menus but the presets are really, really easy to use and make it pretty much playable right out of the box, which is nice. I play on the church praise band (with a Gibson SG, not the standard acoustic!) & this thing is really sound-board friendly...way easier than the sound guy mic'ing an amp for sure.
All in all a good purchase. Vox was nice when I called, but didn't offer to warranty the cord. But I like it a lot & I saved a ton of $$. Now if I could just get that tap delay...
Overall
Quality
Features
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Its pretty good...
Posted by liberator86 from Manitoba, Canada on Jun 29, 2009
Experience w/product: I own it
Reviewer's Background: worship leader
Reviewer's Play Style: rock, metal, ambient, worship
Its alright. the effects are good. the controls are fairly simple. the layout is idiotproofe. theres just one thing that gets me about mine, and thats the amp models. I find that they majorly take away from the sound of my amps (i run it stereo to a vox and a fender). the thing sounds a little thin without the amp models engaged, but not overly. other than that, this has everything you can possibly need. the effects sound great and are just about as tweakable as if you had the actual effect unit right in front of you. essentially a million fully tweakable stompboxes on the floor - but with channels.
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VOX TONE LAB LE
Posted by Slysterone from Florida on May 29, 2009
Experience w/product: I own it
Reviewer's Background: Hobbyist
Reviewer's Play Style: Rock/Alt/Metal
Nice Box, had mine for some time and want to add that this unit sounds great, and sounds even better run through a PA, where a lot of other processors fall short. I sold my mesa amp after buying this, I just plug straight up to a 1000 watt Yahama PA and it sounds incredible, better than through my previous amp. Other than that the unit is well built, fairly user friendly, and loaded with more programs than you will probably ever need. As with any tube driven device, it brings out the tonal properties of your guitar, unlike transistor based preamaps that make pretty much all guitars sound the same. Don't try to hook up a single coil guitar and complain that you can't get a good over the top metal sound. If your axx is set up for metal, you will be able to get a good metal sound, otherwise buy pickups that are designed for the sound you are wanting or buy a Line 6.
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Quality
Features
Value
Not perfect in every way, but still well worth it!
Posted by josh from CA on Apr 25, 2009
Experience w/product: I own it
Reviewer's Background: Hobbyist
Reviewer's Play Style: Rock, Metal, Blues, Worship,
I have an Epiphone Dot, and I play this at home only right now, but will be playing at church soon (possibly through the PA or my amp). Basically, it's a great sounding unit if you give it time. Not all the models are great. Most of the Marshall models are just meh, and the jury's still out on the Mesa Boogie models. There are several amp models that really shine on this thing though- the AC30, the AC15, the Blackface 2x12, and the Boutique Clean, which sound very very real. The built in wah sounds exactly like my Dunlop when compared side by side using this thing's effects loop. The reverbs are alright, the delays and modulations are great. Built like a tank, with stompbox style switches. No plastic Line 6 junk here, this is the real deal. Does it have a zillion models like an X3? Nope, but I'd rather a few great models than a zillion crappy ones. Bottom line- try it first, but you'll probably fall in love with it.
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