The tone solution for top producers and artists.

An advanced member of Line 6's POD family, the POD XT Pro guitar effects processor delivers 32 groundbreaking amp models built from the award-winning technology found in the Vetta amp. It's also loaded with 22 cab and 4 mic models, 49 stompbox and studio effects, and 36 programmable channels. Extensive I/O includes XLR and 1/4" analog outs plus AES/EBU, S/PDIF, and USB digital I/O for ultra-deep computer-based patch editing. The programmable stereo effects loop opens up myriad possibilities for live performance. It provides the best solution for achieving great tone without having to crank an amplifier.

Line 6 POD XT Pro Guitar Multi Effects Processor Features:

• 32 groundbreaking amp models built from the award-winning technology found in the Vetta amp
• 22 cabinet models
• 49 stompbox and studio effects
• 64 channel memories
• AES/EBU, S/PDIF, and USB digital I/O allows use with pro audio editing software and computer-based patch editing
• Full MIDI support
• Chromatic tuner
  
  Amp Models based on*:
• Line 6 Clean
• Line 6 JTS-45
• Line 6 Class A
• Line 6 Mood
• Line 6 Spinal Puppet
• Line 6 Chemical X
• Line 6 Insane
• Line 6 Piezacoustic 2
• Budda 2001 Twinmaster
• Fender 1953 Deluxe
• Fender 1958 Bassman
• Fender 1961 Champ
• Fender 1964 Deluxe Reverb
• Fender 1965 Twin Reverb
• Gretsch 1960 6156
• Hiwatt 1973 Custom 100
• Marshall 1966 JTM-45
• Marshall 1968 Super Lead
• Marshall 1968 Jump Channel
• Marshall 1968 Variac Plexi
• Marshall 1987 JCM 800
• Marshall 1996 JMP-1
• Matchless 1996 Chieftain
• Matchless 1993 DC-30
• Mesa Boogie 2001 Dual Rectifier
• Mesa Boogie Mark IIc+
• Roland Jazz Chorus 120
• Soldano 1993 SLO-100
• Supro 1960's S6616
• Vox 1961 AC-15
• Vox 1967 AC-30TB
• Tube Preamp
  
  Effects based on*:
• Compressor
• Noise Gate
• Fuzz Face
• Big Muff Pi
• Tube Screamer
• ProCo Rat
• Octavia
• CS-1 Comp/Sustainer
• Dynacomp
• Vetta Comp
• Auto Swell
• Mutron III
• Line 6 Sine Chorus
• CE-1 Chorus Ensemble
• Line 6 Flanger
• A/DA Flanger
• MXR Phase 90
• Opto Tremolo model from the 1965 Fender Deluxe Reverb
• Bias Tremolo model from 1960 Vox AC-15
• Leslie 145
• Auto-pan
• Boss DM-2
• Deluxe Memory Man
• EP-1 Tube Echoplex
• Roland RE-101 Space Echo
• Sweep Echo
• Line 6 Digital Delay
• Line 6 Stereo Delay
• Ping Pong Delay
• Reverse Delay
• Fender Deluxe Spring Reverb
• Fender Twin Spring Reverb
• King Spring Reverb
• Small Room Reverb
• Tiled Room Reverb
• Brite Room Reverb
• Dark Hall Reverb
• Medium Hall Reverb
• Large Hall Reverb
• Rich Chamber Reverb
• Chamber Reverb
• Cavernous Reverb
• Slap Plate Reverb
• Vintage Plate Reverb
• Large Plate Reverb
• Wah modeled after the Vox Wah
• Volume (Pre- or Post-Amp Routing options)
  
  Cab and Mic Models based on *
• 6x9 Supro S6616
• 1x8 1961 Fender Tweed Champ
• 1x10 Gibson
• 1x10 Gretsch 6156
• 1x12 Line 6
• 1x12 1953 Fender Tweed Deluxe
• 1x12 1964 Fender Blackface Deluxe
• 1x12 1960 Vox AC-15
• 2x2 Fender Mini Twin
• 2x12 Line 6
• 2x12 1965 Fender Blackface Twin
• 2x12 1995 Matchless Chieftain
• 2x12 Roland JC-120
• 2x12 1967 Vox AC-30
• 4x10 Line 6
• 4x10 1959 Fender Bassman
• 4x12 Line 6
• 4x12 1967 Marshall Basketweave with Greenbacks
• 4x12 1968 Marshall Basketweave with Greenbacks
• 4x12 1978 Marshall with stock 70s
• 4x12 1996 Marshall with Vintage 30s
• 4x12 Mesa Boogie
• Shure SM-57
• Shure SM-57 Off Axis
• Sennheiser MD-421
• Neumann U-67
  
  Editing Tools:
• Comp (Gate)
• COMPRESSOR (Studio Compressor and Noise Gate)
• Stomp
• STOMPBOXES (Fuzz, Overdrive, Distortion, pedal Compressor, Auto-Swell, Auto-Wah)
• Mod
• MODULATION (Chorus, Flanger, Phaser, Tremolo, Rotary and Vibe effects)
• Delay
• DELAY (Analog, Tape, Multi-Head, Sweep Echo, Digital, Stereo, Ping-Pong, Reverse delays)
• plus REVERB (Spring, Room, Hall, Chamber, Plate, Cavern)
  
  I/O:
• 24-bit A/D and D/A Converters
• MIDI In, Out/Thru
• RJ-45 Foot Controller Connector
• USB Connector for Digital I/O
• Headphone Output
• Guitar Input
• 24-bit/96k digital ins and outs (AES/EBU & S/PDIF)
• TRS Line Input and Unprocessed Guitar Output
• Stereo XLR Live/Studio Direct Ins/Outs (+4dBu/-10dBv)
• Stereo 1/4 inch -10dBv outputs
• Stereo Programmable Effects Loop (Series or Parallel)
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  * Line 6, POD, and Vetta are trademarks of Line 6, Inc. All other product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6's sound model development.
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Take a quantum leap in your access to killer tones and effects in a unit many pros consider an indispensable studio tool. Order today!

Line 6 POD XT Pro Guitar Multi Effects Processor

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Average of 31 User Ratings

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Customer Reviews

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Versitile !!!!!

Posted by foghat1987 from NY on Jan 3, 2009

Experience w/product: I own it

Reviewer's Background: Active Musician

Reviewer's Play Style: Whatever sound good

I love this Line 6 Pod xt pro. So many sounds. Even some of the stock patches sound good. I play anything from hendrix to Killswitch and this can do it. It is not Dead Acurate. But for the plethera of sounds. Its close enough. The long board foot pedal is a must have for the stage. Probably 65% of the effects are awesome and totally useable. In my opinion it is the "best" non-tube digital sound bank to have at your disposal !!! Try it.

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Great for Recording, but NOT Great Live

Posted by Death By Fan from New York City, NY on Dec 2, 2007

Experience w/product: I own it

Reviewer's Background: Active Musician

Reviewer's Play Style: Rock, Pop and Alternative

If you're a guitarist looking for a device that will streamline your HOME RECORDING set up, this is an excellent place to start. Line 6 is truly at the forefront of modeling technology. While the drive/distortion effects are probably the weakest of the algorithms available, the amp/speaker simulation and other modeled effects are dead on. I own a vintage 1965 Vox AC-30TB and use the modeled over-driven 1963 Vox AC-30TB patch on the unit through my old amp! The modeled TS-9 is also a dead-ringer for the real thing. The vintage delays and other effects are also spectacular.

Here's the rub though--it's limitations come through in LIVE applications. For one thing, the 4 effect block maximum seems strangely limited given the price point (e.g., the Boss GT-Pro which is similarly priced allows up to 10 or more effects at a time). Also, the latency between patch changes is simply unacceptable for a unit this advanced...and the failure for trail-offs on delays and reverbs between patch changes is also unacceptable. My last beef is why Line 6 didn't include a digital deal with mod feature (need to preserve a market for the DL-4?).

On the balance, it's a great sounding unit, but not the greatest device to have with you on stage.

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Best piece of gear I've owned.

Posted by MalcomBliss from Sacramento, CA on Oct 24, 2007

Experience w/product: I own it

Reviewer's Background: Active gigging and recording musician

Reviewer's Play Style: rock, metal, indie, alternative

Ive been using one of these for the past 2 or so years. I've installed the model packs. Great deal! Previously I have owned a 5150, Rocktron voodoo valve, Digitech 2120 (junk), Boss GX700, Berhinger V-Amp, Vox Tonelab and a few other amps and preamps I have forgotten. This thing SLAYS!! I run it into a Marshall EL34 50/50 tube power amp then into a GenzBenz Gflex 2x12 cab. I have an unlimited array of GREAT tones and effects at my disposal. I know a lot of that is due to the tube poweramp. I love tubes and how they respond/sound live. You cant get away from that. I love real amps, dont get me wrong, but judge this thing with your EARS not your prejudices. I can't take 8 amp heads and 24 pedals to a gig, but I can with this thing. It sounds great and is Hella versatile. What more do you need? In the studio the re-amping feature is so easy, and truth be told really fun to play around with. You can create sick textures and complex tones using this feature. I NEED to get a second one in my rack so I can recreate this live.

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All In One Preamp for the Pos

Posted by Anonymous Musician from Green Bay, WI on Oct 16, 2007

Experience w/product: I own it

Reviewer's Background: Active Musican

Reviewer's Play Style: All but Country

This preamp contains several models that accurately reproduce classic amp tones to the T. This alone makes it worth the price. The IO options are complete and flexible. The onboard effects are OK, however the stomp boxes are somewhat limited. Well worth the price for the excellent tone.

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Jimmy Ross / Max Records

Posted by Jimmy Ross from bakersfield, CA on Mar 10, 2007

Experience w/product: I own it

Reviewer's Background: Recording artist in southern cal

Reviewer's Play Style: Jazz / Blues

Line 6 has really done it with this one. I was instantly a better sounding guitarist witch made me a better player also. At first I was afraid it would be just another digital effect but man was I suprised. Any amp can sound great with the pod xt pro as a pre amp. Line 6 Thank you for making my recordings and live playing so much easier to sound great.

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Line 6 POD XT Pro Guitar Multi Effects Processor

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