Incredibly flexible stereo power and effects.

Whether for practice, rehearsal, live on stage, or in the studio Behringer V-Tone GMX210 Stereo Combo Amps combine solid feel and sound with flexibility and durability. The V-Tone series is a line of powerful modeling guitar amp workstations with authentic analog modeling technology. All models feature 27 amp and speaker simulation combinations capable of a broad range of sounds. 2 independent analog modeling channels, patented DYNAMIZER circuitry, ultraflexible FXT function for independent effects settings on each channel, and a 24-bit stereo multi-effects processor provide breathtaking versatility and power for sounds vintage, smooth, modern, or raw. Throw chorus, flanging, phasing, rotary, auto-wah, echo, delay, compressor, and various effect combinations with 99 user presets and MIDI control into the mix and see what comes out. Additionally, external effects devices such as wah-wah pedals can be connected via the combo's serial FX loop. Includes dual footswitch FS112 for channel selection, effect bypass, and tuner activation.

The GMX210 2X30W stereo combo is the middle-sized offering among the V-Tone analog modeling stereo amps. This powerful guitar workstation boasts authentic analog modeling for 3 classic guitar amps, 3 speaker simulation models plus 3 gain modes-all individually selectable per channel. There are 2 independent, full-featured modeling channels, offering everything you need from clean to crunch to super-fat distortion sounds.

Behringer V-Tone GMX210 Stereo Combo Amp Features:

• Analog modeling
• 2x30W power
• Two 10" speakers
• 2 channels
• 27 modeled sounds
• 24-bit effects processor with chorus, flanging, phasing, rotary, auto-wah, echo, delay, compressor, and combinations
• FXT function
• Dynamizer signal enhancement circuitry
• Tuner
• MIDI control
• Includes footswitch

An awesome setup that's affordable, too! Order yours now!

Behringer V-Tone GMX210 Stereo Combo Amp Specifications:

• 24"W x 18-3/4"H x 10"D
• 40.1 lbs.

Behringer V-Tone GMX210 Stereo Combo Amp

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Average of 94 User Ratings

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Good.....at first glimpse

Posted by Decibell Guitarist from Elk River, Minnesota on Aug 25, 2009

Experience w/product: I own it

Reviewer's Background: Active musician, Bar band

Reviewer's Play Style: Classic Rock 'N' Roll, Heavy Blues, and some Metal

I bought this amp about two years ago and at first I was impressed with the effects and volume. However, after about six months the effects had really bad static problems and the channel selector began to malfunction and I could only use the one channel. To solve this problem I just plugged my Roland cube 30 into the back of it and played through the Roland first, which made the Roland sound excellent I would definetly recommed saving up for a real amp and not wasting your money on this poor quality peice of equipment. If you want a good modeling amp I would go with a Vox 30watt or a Roland cube60 both are far superior to this near useless black box.

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pretty good amp

Posted by SG.man67 from temple, tx on Aug 4, 2009

Experience w/product: I own it

Reviewer's Background: Active Musician

Reviewer's Play Style: metal, rock, alternative

The effects were good but the input falls inside of the amp. It is not very heavy duty. wears out easily. but it is ok for a house amp but not for gigs.

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GREAT VALUE

Posted by phishsnagger from Murray, KY on Jun 11, 2009

Experience w/product: I own it

Reviewer's Background: Active Musician/Recording Hobbyist

Reviewer's Play Style: Folk, Rock, Blues, Jamband

I am in a small band that plays several local bar scenes. I blew an amp and was strapped for cash so I bought this to hold me. I was blown away. Good tone, Booming sound, Great control over your sound, and the Effects actually sound really good. Behringer really packed in the features. The GMX212 is pushes more wattage and can push a small cabinet. But it isn't necessary. THIS AMP IS REALLY GOOD GUYS. Tons of features, great modeling ability, and under 200 bucks. SOLD.

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best affordable in its class

Posted by matt krush from saginaw mi on Dec 11, 2008

Experience w/product: I own it

Reviewer's Background: active musician...15yrs

Reviewer's Play Style: speed thrash metal

I wanted a lightweight amp (aside from my 2 half stacks) to take to practices at other band members houses, I tried all the others in this class size, it was the easiest to quickly find a tone I could live with and the on board effects are fine for rehearsals. It is powerful and clear enough to be heard with the drums and bass. I have never used it as a stage rig, but it is quite capable. I am very finicky about tone and impatient, if I can fine a good tone in less than 2 minutes the amp aint worth the time. It is way better sounding than crate, marshall or any of the line 6 junk. (I never thought I say that about Beriinger but its true...and it records really good) The input jack is crap, mine hasnt broken off, but its been loose for 3yrs, it would be cool if it had a mid scoop in the EQ, but the modeling switches for the little guy do give a good variety of tones. I am buying the single 10 for my daughter for christmas.

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can't find a solid state upgrade...

Posted by shellbournian from Long Island, NY on Nov 16, 2008

Experience w/product: I own it

Reviewer's Background: Recording Engineer, Active Musician

Reviewer's Play Style: Avant garde, blues, metal

I've been playing through this amp for about 2 years now and I love it as much as I did the day I got it. Yes, there's a bunch of different modeling options. No, most of them don't sound very good. However, there are a few different options that sounds great together and are well worth it. The EQ is horrible, but I don't know anyone who doesn't EQ after the fact on recordings or on a board at shows anyway. A majority of the effects are pretty bad but the digital reverbs are pretty good and characteristically similar (but not in quality) to a PCM70. You'll need a hardware gate and compressor to make this passable on stage, though I've done shows without them with this amp.

Also, one of the pots broke off in the first week. Plastic. No stem. I was kind of mad, but I can still turn it with my finger. I'm going to end up buying the MIDI controller for it anyway, so I don't need that pot.

My friend just got the 212 version of this amp and I was super excited to try it out and I ended up hating it. Its woofy and boomy and muddy and horrible. The 210 sounds much better, so don't go by how the 212 sounds if you've played through that.

Other than that, love this amp and it'll love you back. Don't treat it like garbage and it'll last years. I gave up trying to find a solid state amp that I wanted to upgrade to and this guy is gonna be my main amp for years to come, until I stumble onto something much higher end.

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Behringer V-Tone GMX210 Stereo Combo Amp

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